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I continued my peep hole series and expanded the idea to focus more on the role of the viewer and a person as subject.

The first thing you look at in a photo, if it is there, is people. There is that instant connection. Everything else becomes secondary. What ever the scene is it only gives context to the person, never the other way around. We are an image-based society fixated on knowing about other people’s lives. Whether it is voyeurism watching a stranger, tabloids of celebrities, or a fictional sitcom on television, their lives are infinitely more interesting. Even fictional characters lives are a point of fascination. The idea that we have to fabricate imaginary lives for entertainment proves we cannot get enough.

My series has a level of comfort about it. It focuses around a single person with an intimate viewpoint of mundane daily practices. It becomes instantly relatable. The idea of the peephole is a point of view that is unobtrusive, quiet, and revealing. There are aspects of day-to-day life that tie us all together but why is it so much more interesting and comforting when it is someone else? These private little moments fill every persons life each day.

The series was originally created to be viewed as large scale projections. Viewing these moments far larger than life scale, the viewers can immerse themselves into the moment and become apart of the intimacy.